ART FROM A TIMELESS
DIMENSION.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously. The dark or bright vertical areas, that is possible to notice in each film, are not glitches, they are due to the light change, during the shooting, in the precise time interval represented by the area itself. They will be present in the same place of the frame from the beginning to the end of the film, so creating a pattern, because time is happening simultaneously and that area belongs always to the same interval in which the light has changed. Access Denied is an open project. It is comprised of a series of film installations based on everyday objects. Each film, available in a definition up to 12K, is created using a shooting technique combined with a C# program I have specifically developed for the manipulation of the images. The object portrayed is explored in a meticulous and detailed way. You will see the entire object appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes. You see the entirety of the object at the same time. When I was working on this project I felt as if I was almost able to enter into the very essence of the object although I was at the same time facing a wall of individual atoms. This project deals with the human desire for knowledge. We have thought it possible for us to understand matter itself, and that we can explain everything but finally we shall always come to that wall beyond which we may not pass.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film, available in a definition up to 12K, is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is one of the projects about the observation of reality from a timeless dimension. In each frame of the films, part of these projects, the time interval of the shooting (here about 8 hours for each episode) happens simultaneously.
Four Seasons is a project comprised of four film installations representing the four seasons of 2020. Each film is created using a special shooting technique combined with a C# program I have specifically developed for the manipulation of the images. All the films created with this technique have a peculiarity: time ceases to exist. This is why looking at a common object can still be a new experience. For this project I selected four subjects that are typical of the season represented. You will see the entire object portrayed, appearing out of nothingness and regaining its shape, and then disappearing again. The uniqueness of this kind of vision is that there is no front, no back, no sides to the object portrayed, as it opens simultaneously in all of its aspects before your eyes creating, for each frame, a pictorial vision. You see the entirety of the object at the same time.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is another project about the observation of reality from a timeless dimension. It’s an ongoing project and comprises a series of dual channel film installations based on urban landscapes, usually channel #2, and the viewing of the actual space itself from a timeless dimension, usually channel #1. In each frame of the channel #1, the time interval of the shooting, from 24 to over 48 hours, happens simultaneously. From this point of view, the urban landscape is shown to the viewer as if she/he were crossing the actual space itself, finding her/himself in a timeless dimension.
This extra-ordinary perspective gives the viewer the possibility to see the evolution of the light, during the interval of the filming time, for each single part of the landscape. The Urban landscape will so appear, as a continually evolving pictorial image that is now dematerialized into light. It's so possible to recognize a pattern, usually made by a dark area in contrast with the bright areas that is present in the same position from the beginning to the end of the film. The bright areas belong to the day while the dark parts to the night and the fact they are present in each frame is the evidence that time is happening simultaneously in each frame of these films.
It must be said that these films have not been generated with glitches or other effects. The light has been rewritten to be sorted by time. If these films should be manipulated with the same application used to generate them, they would merely recreate the original film from which they were derived.
This is a very special way we have to observe reality, from this point of view time become a place. Here, you will no longer talk about when but where. Looking at each film (channel #1) of this series, indicating the dark area, you will say here is the night and in the same way indicating the bright parts you will say here is the day. Watching carefully what happens with the colours will give us the indication of which part of the original view we are crossing and observing from this timeless dimension. If we could extend this vision to the infinity our existence would become just a very tiny place within the infinity of the spacetime continuum.

is a two channel ULTRA HD video installation (available up to 12k resolution per channel) Edition 4/4 + 1 AP This work deals with the dualism that comes with the word tragedy. If a word that has always inspired poets and art in all its possible incarnations has recently been used for the name of a luxury perfume, Penhaligon's 'The tragedy of Lord George', there is no doubt that we are attracted by tragedy, this is a clear proof! We like tragedy even if what underlies it provokes negative emotions. On the other hand, there is nothing good about tragedy and there is always suffering and pain behind it. In nature tragedy happens everyday and it happens in the most brutal way, yes it is nature, but that does not mean it does not create suffering and pain. The two films show on one side the metal buck head used as a cap for Penhaligon's perfume and on the other side, in contrast to the first one, the skull of a young deer. The two films have been created with my technique which is able to show reality from a dimension where time ceases to exist.

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

NEW YORK CENTRAL PARK was filmed from Le Parker Meridien Hotel - Room # 4115 from the 21st of June 2009 - 11:13am local time to the 24th of June 2009 - 8:30am local time It comes in a dual channel Full HD video installation + 1 spatiotemporal scanning landscape (200 x 91cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

BERN (Switzerland) was filmed from the Fassbind Hotel - Room # 504 from the 21st of November 2018 - 10:27pm local time to the 23rd of November 2018 - 11:50pm local time It comes in one channels Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

BANSKA BYSTRICA (Slovakja) was filmed from the Lux Hotel - Room # 902 from the 13th of November 2012 - 12:35am local time to the 14th of November 2012 - 8:22am local time It comes in one channels Full HD video installation + 1 spatiotemporal scanning landscape (120 x 80cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

BURY ST EDMUNDS (England) was filmed from the Angel Hotel - Room # 214 from the 17th of January 2013 - 4:01pm local time to the 19th of January 2013 - 11:02am local time It comes in one channels Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

DUSSELDORF> (Germany) was filmed from the roof terrace of the Julia Stoschek Collection from the 13th of February 2011 - 5:16pm local time to the 15th of February 2011 - 8:06pm local time.
It comes in a dual channels Full HD video installation + 1 spatiotemporal scanning landscape (250 x 60cm printed on white aluminium).
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

LEIRIA (Portugal) was filmed from the Sao Luis Hotel - Room # 401 from the 25th of August 2018 - 01:00am local time to the 26th of August 2018 - 07:14am local time
It comes in one channel Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

LISBON (Portugal) was filmed from the Lutécia Hotel from the 12th of April 2013 - 05:43pm local time to the 14th of April 2013 - 07:00am local time
It comes in one channel 4k video installation + 1 spatiotemporal scanning landscape (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

LONDON EYE was filmed from the Southbank Centre from the 03rd of August 2012 - 05:30pm local time to the 4th of August 2012 - 5:35pm local time
It comes in a dual channel Full HD video installation + 1 spatiotemporal scanning landscape (80 x 120cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

MOSCOW was filmed from the Ibis Hotel - Room # 904 from the 7th of December 2013 - 02:25pm local time to the 8th of December 2013 - 2:47pm local time
It come in one channel Full HD video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

STOCKHOLM (Sweden) was filmed from the Kung Carl Hotel - Room # 312 from the 21st of April 2018 - 12:05pm local time to the 22nd of April 2018 - 11:59am local time
It comes in one channel 4k video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

WINTERTHUR (Switzerland) was filmed from the Wartmann Hotel - Room # 315 from the 12th of November 2010 - 11:57am local time to the 14th of November 2010 - 11:02am local time
It comes in one channel Full HD video installation + 1 spatiotemporal scanning landscape (60 x 120cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of landscapes. Every chapter is presented as a video installation accompained by a printed landscape in which every single line that composes the picture belongs to a different temporal moment.

BERLIN #1 (Germany) was filmed from the Estrel Hotel - Room # 21116 from the 19th of October 2017 - 18:00am local time to the 21st of October 2017 - 01:10am local time
It comes in one channel 4k video installation + 1 spatiotemporal scanning landscape (124 x 83cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
DAVID TIBET was filmed in Hastings (United Kingdom) the 22nd of June 2012. The subject has posed still for over 30 minutes.
start time: 11:56am local time stop time: 12:27pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
LA FEMME DU MINEUR was filmed in Ceglie Messapica (Italy) the 8th of June 2014. The subject has posed still for almost 40 minutes.
start time: 7:25pm local time stop time: 7:59pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.

GAME OVER was filmed in Bologna (Italy) the 7th of January 2017. The subject has posed still for almost 35 minutes.
start time: 4:06pm local time stop time: 4:45pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.

THE GIRL WITH A PISTOL was filmed in Baiso (Italy) the 7th of September 2014. The subject has posed still for over 40 minutes.
start time: 6:04pm local time stop time: 6:45pm local time
It comes in one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP

is a series of portraits. Every chapter is presented as a video installation accompained by a printed portrait in which every single line that composes the picture belongs to a different temporal moment.
ALASTAIR UPTON is part of the sub series "IN THE GARDEN". It was filmed in Dungeness (United Kingdom) at Derek Jarman's Prospect Cottage during my artistic residency. It was filmed on the 5th of March 2024. The subject has posed still for 40 minutes.
start time: 2:21pm local time stop time: 3:00pm local time
It comes as one channel Full HD video installation + 1 spatial-temporal scanning portrait (83 x 124cm printed on white aluminium)
Edition 4/4 + 1 AP